tag:blogger.com,1999:blog-51603701227304884892024-03-13T04:48:30.144-07:00Magic CassetteNews and rumours about Brian GraingerMilieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.comBlogger153125tag:blogger.com,1999:blog-5160370122730488489.post-15420966699154558402021-08-23T00:30:00.000-07:002021-08-26T14:07:23.102-07:00X<p>Ten years? Feels like just yesterday. </p><p>In any case, it's nice to be back on such a finely aged platform. Like an old pair of slippers. </p><p>If you're reading this now, after all this time, it's only fair to offer you a prize for your attentiveness and patience. </p><p>But first, an announcement - </p><p>I'd like to take this anniversary moment to officially name <b>The Oscillog</b> for the public record. </p><p>What is an <i>Oscillog</i>, exactly? </p><p>Well, in topical terms, it is a compound word that I created to bridge the concepts of oscillation (movement), and a travelogue - sort of a special amalgamated idea that indicates either a document of something that is ongoing, or a recording of movement. In conceptual terms, Oscillog is both of these things, and more - it's probably going to be the name for things I haven't even considered yet. It's an open-ended idea, by design, with lots of space left for growth and outward expansion. </p><p>For now, however, The Oscillog is a new website that you can immerse yourself in, and contribute to, if you like. It visually and architecturally resembles Wikipedia, yet will also function as an ever-expanding database of information concerning any and all of my creative endeavors - past, present, future. It will be a concise and complete discography, an archive of copy texts, prose and poetry, and a platform for me to directly explain and discuss my work without the need for citations or approval from others. </p><p>Right now, there isn't much there - filling out such a database takes time and energy, and that is hopefully where you come in. I've already filled out some basic pages to act, for the moment, as templates for how I'd like the database to look and feel. If you'd like to help grow The Oscillog along with me, create an account there and start submitting information! Editing The Oscillog is exactly the same as editing Wikipedia - any information about the latter will apply to the former - and if you're a particularly great editor and contributor, I'll elevate your account to "moderator" status. </p><p>Eventually, The Oscillog will become quite a marvel of information, all detailed and cross-referenced with itself. Fans and curious newcomers alike will be able to explore the site, and easily find more recordings they'll enjoy based on the ones they already like. There are deeper, more long-term plans for The Oscillog as well, but I'd like to keep those close to the chest at the moment - certainly, I've mentioned more than I was able to deliver in the past, and I would not like to do that again now. </p><p><b>The Oscillog is here - http://milieu-music.com/index.php</b></p><p>Now, I did promise a prize, so here you are - This is a Bandcamp code for Milieu's Butcher Block Andromeda compilation album. Butcher Block was and is a collection of fifty Milieu tracks, unified and sequenced as a retrospective for the project (and an adequate introduction for newcomers) after Milieu celebrated ten years of existence. I abandoned this blog ten years ago today, so it is only fitting to give ten years back upon my return. </p><p>Here's to another ten years, where and when I can only hope we'll meet again, in good health and happiness, with the pandemic far behind us and The Oscillog a fully grown library of Brian-formation. </p><p>
<span>pbe4-bajh</span></p><p><span>Redeem this code at milieu.bandcamp.com/yum </span></p><p><span>See you in The Oscillog! </span>
</p>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-73828273467580616772011-08-23T11:35:00.001-07:002011-08-23T11:41:10.366-07:00High Hawaiian Fog<a href="http://wil-ru.com/wp-content/uploads/2011/08/HHF_AD_WR.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 273px;" src="http://wil-ru.com/wp-content/uploads/2011/08/HHF_AD_WR.jpg" border="0" alt="" /></a>
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<br />Roll out the red carpet, all the way down to the bottom of the sea, for the first Coppice Halifax album ever laid to the vinyl format</span></span><span><span>, High Hawaiian Fog. Six dense constructions of seawater and sand, etched into two black sides, recalling influences such as GAS, Casino Versus Japan, The Caretaker and even Brian's work as Milieu. Soaking wet reverbs gloss softly over creaking, rusty chords that bend and sway beneath the compressed pressure of an airtight bass drum. Light flecks across the surfaces like glitter and textures dance and play inside the slow-motion underwater beauty pageant for mermen and maids on opiates. This is womblike psychedelic techno made by scraping the bones of Stravinsky, Satie, Mussorgsky, Smetana, Debussy and Delius across drum machines on a plush carpeted dancehall, long since overgrown and forgotten by the sea on a silent cruise liner's wreckage. Sunny and sad music for your hi-fi and subconscious.
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<br /></span></span><div><span><span>Comes on <b>thick black 140 gram</b> long-playing vinyl inside a <b>beautiful full color sleeve</b>. WR and Coppice Halifax<b> stickers are included </b>along with a <b>free download of the near-80 minute expanded digital version</b> of the album. The <b>first 100 copies come with a bonus 3" mini-CD-R</b> called Arctic Liner Disintegration, an ambient reduction of the A-side track Equatorial Haze. This LP also features an exclusive <b>vinyl only track</b> titled "Pacific Opal Hex". Limited to 500 copies.
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<br /></span></span></div><div><span><span>Track Listing:</span></span></div><div><span><span><b>A1 Miniature Island Fantasy
<br />A2 Equatorial Haze
<br />A3 Pacific Opal Hex
<br />B1 Royal Purple Pageant
<br />B2 Sunken Dancehall
<br />B3 Amstar Paradise</b></span></span><div><div><div><div><span class="Apple-style-span" style="font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 16px; background-color: rgb(255, 255, 255); "><span><span><b></b></span></span><p style="color: rgb(51, 51, 51); border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: inherit; font-style: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "></p></span></div><div><span class="Apple-style-span"><span class="Apple-style-span"><a href="http://wil-ru.com/releases/wr/coppice-halifax-high-hawaiian-fog-lp/">CLICK TO STREAM & PURCHASE</a></span></span></div></div></div></div></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-15926543442373729052011-08-23T11:24:00.000-07:002011-08-23T11:34:42.850-07:00Backwater Fumes<a href="http://wil-ru.com/wp-content/uploads/2011/08/BWF_AD_Green1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 267px;" src="http://wil-ru.com/wp-content/uploads/2011/08/BWF_AD_Green1.jpg" border="0" alt="" /></a>
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<br /></span></span></div><div><span><span>Longtime friends Eric Adrian Lee and Brian Grainger finally unite on Backwater Fumes, a 7" split EP on marbled vinyl. Brian's side starts the affair with Mudd's Boots, a track that sounds as if ZZ Top were recorded on a wax cylinder, performing in a country line dancing club out in the swamp, and just as the band picks up the groove, zombies burst onto the dancefloor spewing swamp muck everywhere, only to be dowsed in bourbon and set on fire. After the panic dies down, Eric puts on his Biathalon disguise and cleverly sneaks onstage to flip the record over. Like aural heroin, the sounds of Moss seep out of the speakers and liquefy the minds of the line dancers. Subtle detuning and modulation vibrates through the walls and somehow, everything feels lighter for a moment. Satisfied, Brian bursts through the club's backdoor and meets Eric in mid-air with a Milli Vanilli style high five. At this precise moment, the PA system explodes but a fuzzed out signal incessantly pushes itself through the smoke and wires. Gigantic bass kicks storm the building as a cloaked figure can be barely made out through the haze...this must be Night Sequels, appearing unexpectedly with his blistering remix of Mudd's Boots. Scrambling, Brian and Eric frantically search for the breaker box, otherwise, if Night Sequels is not stopped, the world could be destroyed. Hell, so could the entire universe. At the last possible second, the boys cut power, dispelling Night Sequels back to his evil realm for another millenia, and Brian quickly restarts a charred black laptop to deliver the last burnt jam of the night: a dense, woodsy Coppice Halifax remix of Moss</span></span><span><span>. Midranges smooth over the din and reverb smears reality left and right until we're left with one blurry camera lens. What just happened? </span></span><div><span><span>
<br /></span></span></div><div><span><span>This 7" is presented in a <b>beautiful full color sleeve </b>and includes a <b>3x4" Brian Grainger "Lips" sticker and a 3x4" Biathalon "Mt. Hood" op-art sticker</b>. Also included is an <b>immediate 320kbps MP3 digital download</b> of the EP that features <b>two bonus remixes by Brian Grainger and Night Sequels (Nick Huntington of Freescha)</b>, expanding the release to 6 songs total. Twenty three minutes of warped electronic psychedelia; the magic <b>Michael Jordan</b></span></span><span><span> number... Limited to 500 copies! </span></span><div><span><span>
<br /></span></span></div><div><span><span>Track Listing:
<br /><b>A1 Brian Grainger - Mudd's Boots
<br />A2 Brian Grainger - Creedence Swampwater Revenge
<br />B1 Biathalon - Goomy
<br />B2 Biathalon - Moss</b></span></span><div><div><div><div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 16px; background-color: rgb(255, 255, 255); "><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: inherit; font-style: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "></p></span></div></div></div></div></div></div></div></div><div><b><a href="http://wil-ru.com/releases/wr/brian-grainger-biathalon-backwater-fumes-7-ep/">CLICK TO STREAM & PURCHASE</a></b></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com1tag:blogger.com,1999:blog-5160370122730488489.post-3527865805487161972011-08-18T01:47:00.000-07:002011-08-18T01:56:13.390-07:00Interview From The Euflorian Universe, Part 1<span><span>Recently, Rudolf and Alex, the minds behind Eufloria, sat down with me to ask me a few questions, in light of the upcoming Playstation Network release of the game. I asked them some questions back too, but that interview will follow in part 2.
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<br /></span></span><div><span class="Apple-style-span" style="font-family: 'Lucida Sans Unicode', sans-serif; font-size: 11px; background-color: rgb(255, 255, 255); " ><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; "><b>1: You have been making music of all kinds for a long time now, and your ambient work far predates Eufloria’s soundtrack. How did you get involved in this kind of music?</b></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; ">You know, I can’t even remember how it happened. I think the earliest I can remember making ambient music was when I was 15 years old. I had just heard Selected Ambient Works II for the first time and it changed the way I heard music forever. It sounded like music that was from some alien place, and I remember sitting down with a Debussy LP on the record player, running the sound of that through a wah-wah pedal and a delay pedal and overdubbing AM radio static, and that was my first attempt at making this type of stuff. From there, I guess it’s just always been about exploration, improvising, experimenting…there’s kind of always a fascination there with all the freedom involved. I love working in a medium that is never the same way twice, so perhaps that’s one reason why I got involved.</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; "><b>2: Your Eufloria OST is universally loved by people who enjoy the game, Alex and I certainly are fans, but how do you feel about your own achievement? We always see flaws and issues in the games that we make, I wonder if you feel similarly about your own music.</b></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; ">There are most definitely always going to be flaws in my work – it’s totally inherent to my whole process. A few years ago I arrived at a point where I just came to terms with the fact that “perfection” was never going to happen, and instead of focusing on ideals and what COULD be there, I choose to focus on enhancing what IS there, and really making the most out of what is sometimes quite little. I think a lot of great musicians and artists think that way, because all those flaws and incidentals and overlooked things that you yourself may not notice while others do…that’s the stuff that makes your work sound like it’s yours. That’s the charm. In the end, I do feel quite proud of what I’ve done.</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; "><b>3. How do you feel about the rest of the audio design and how it gels with the music? As you know you provided raw sounds and musical snippets and Rudolf mashed and smashed them into something that is often quite different from the source files, but sits well within the Euflorian soundscape.</b></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; ">I think the incidental sounds work extremely well for the whole atmosphere of the game. There’s something very “alive” sounding about all these miniature parts growing, moving, doing things. It just adds to the overarching organicness of the place. I think the music complements the audio design in the same way the visuals complement the music. They’re all working pieces of the same whole, and a lot of the soundtrack is very burbly and almost swamplike at times…lots of foggy sounds and wet sounds and things that evolve over long runtimes. So I think having all the spritely sounds of trees growing and impacts happening just adds to the established “space organic” vibe immensely.</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; "><b>4. Having seen the game go the distance from small competition game to Playstation 3 release, do you feel enthused to do more games related work? It seems your own independent music approach gels well with the indie games scene.</b></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; ">I would absolutely love to do more audio for games. In the grand scheme of things, me sitting here in my studio and self-releasing most of the music I make, and directly getting it to the people who want to hear it, is very much like the indie game circuit. It’s all just a bunch of free thinkers sitting in a bedroom making something they love and cutting the middleman out of the equation as much as possible. I think I’d also be a good fit for game audio work because I already have a tendency to make loads of material and I try not to be bound by genre lines or expectations or whatever. I really love working along the lines of a big concept, as lots of my recordings are quite conceptual and visual, so it’s definitely a good fit.</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; "><b>5. Have you noticed any crossover in your audience where people discover your music via the game, or your existing fans discover the game through the OST release?</b></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; ">I have indeed notice a bit of both, though I have definitely experienced first-hand more people discovering my work via the game, which is a great thing. Just knowing someone picked up the game
<br />because of the game’s merits and promise, then became impressed with my music and got into it enough to want to seek out more of it and buy it, instead of just hear it every time they turn the game on…well that’s just awesome to me. It’s at that point I can see the proof of the music being more than just an effective soundtrack in a utilitarian way – it’s also being enjoyed just as a regular record would.</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; "><b>6. Do you feel restricted at all by the creative limitations a game’s soundtrack puts on you? I can imagine it can be tricky to create so much music that must feel fresh and fit the game universe, yet is open and quiet enough to not disturb gameplay.</b></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; ">If anything, the limitations make the work much more of a challenge, which I usually like because it forces me to think and work in a way I don’t normally, and that keeps the music fresh, as opposed to me having total free reign to do what I like, and inevitably falling back on the little nuances and things that I do subconsciously in my music without really being aware. The format of scoring something requires that everything be completely deliberate and arranged, and it’s always a refreshing experience when you can simultaneously learn something new and create something you still really like. I think that definitely happened with Eufloria, and now because I’ve gone through those motions, there’s a very specific sound that Eufloria has, and it has hereafter become established, making it easier for me to make new things and “play in the sandbox” so to speak.</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; "><b>7. Have you received other offers for this kind of work?</b></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; ">After Eufloria was released on Steam, I was approached by the Discovery Channel to contribute original music to a program they were making for Animal Planet. That went really well, and wasn’t too dissimilar from my work on Eufloria in the context of…total atmosphere. Like Eufloria, they were after very organic ambient sounds and it ended up being a good bit darker than Eufloria’s sound in the end too. Beyond that, I have been asked numerous times to contribute music to online webisode” type shows, student films and things like that, but Eufloria and the AP job were by far the most involved scoring jobs I’ve ever done. As I said before, I’d love to do this type of work more often!</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; "><b>8. Can you describe the process involved in creating a game soundtrack? What are the typical steps you take that end up in a Eufloria music track? Has this stayed consistent throughout your work on the OST or have you been adapting your approach over time?</b></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; ">For Eufloria, the process began with me simply working with a couple demo tracks…I think Meander” was actually the very first one in fact. I had some ideas regarding sort of organic electronics…lots of playful melodies, open spaces in the composition, and a recurring melodic theme that could be revisited in different motifs throughout the entire game. Once those sort of ground rules were established, it was just a matter of creating what I felt were logical “mutations” on that sound. Perhaps some moments would be completely without rhythm, while others had a steady pulse. Sometimes I would focus on darker, more oppressive atmospheres, and others I’d emphasize this sort of playful naiveté in the melody. I wanted a lot of the melodies themselves to sound as if they were “grown” from a single source, like little variants of branches on a tree, almost procedurally generated.</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; ">There is/was a definitely consistent vibe throughout all of the Eufloria music, but I can’t deny that the sounds themselves have been mutating over time as well. For example, when I went back to the
<br />soundtrack 2 years after the original tracks were laid down, to create more songs for the PSN version of the game, there was some difficulty, because in my mind, while all that time had passed, I still felt I had a great handle on what was the “Eufloria sound” and in truth, it had mutated in my subconscious to the point that it was pretty different. So I almost had to start all over again and blindly feel around for things that worked, but in the end it all worked out and Eufloria came back to me again. To look at it a different way, the original seeds I had planted were now fully grown into something much more graduated, and I had to go back to the original field and plant some new crops…</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; "><b>9. Do you have a favourite track and if so, which one?</b></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; ">I would say my favorite track is probably “Open”, mostly because it was the first track I did for the soundtrack that felt like I hit a big stride with the atmosphere. It was lengthy, but melodic…ambient, but rhythmic. Playful, textural, a little bit dark and unfamiliar. It was the most perfect balance of all the motifs I wanted present, and quite possibly became the definitive framework for the color of all subsequent pieces. “Pink Leaves” is probably a close second, because it’s a total Eufloria composition in every way, but buried somewhere in there is a pretty classic sounding Milieu track too. It has a special charm that I can still not quite put my finger on.</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; "><b>10. How do you yourself feel when you play the game and hear your own music?</b></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; ">It’s stunning! There’s inevitably always a disconnect when I play it and it’s so immersive and I forget that I was the guy who created these sounds. Also, because there’s so much other stuff going on in gameplay, and you’re not wholly focusing on every bar of the music, and so on, you start to lose your way in it a little bit, and that’s when it’s really like zooming out and hearing my own work for the first time again, and it’s lovely. It just makes me start grinning from ear to ear. I’m very proud of what we’ve all managed to create together, and I can’t wait to spend a few spaced out hours on my couch with a PS3 controller in my hand…</p></span></div><div></div><div><div><div><div><span class="Apple-style-span" style="background-color: rgb(255, 255, 255); "><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; ">
<br />Check out the trailer for Eufloria on the PSN:
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I write you this first blog post from my new studio, <b>Botany Bay</b> (also hereafter potentially referred to as <b>124SSR</b>), which resides in the upper floor of my new home. No doubt, many of you have been asking yourselves...where <i>is</i> Brian anyway? Wasn't he moving or <i>something</i>? Why isn't there a Milieu mailer for the month of April? Wait, where the hell <b>IS</b> my previous order <i>already</i>? (and other questions) and hopefully this post will clear all the proverbial fog. <div>First of all, I've been off the radar since the first week of March, mostly due to our cat <b>Basil</b> passing away. Most of you probably know we were battling a lymphoma right next to his little stomach, preventing him from eating much. After he'd lost some teeth and even more weight, and it looked like the only option he had left as a feeding tube, we made the tough decision to put him to sleep. After this happened, I announced <a href="http://www.recycled-plastics.net">Recycled Plastics</a> along with the month's new releases, and literally a couple weeks later, we finally closed on our new house, which we'd been under contract for <b>since November</b>, waiting on some repairs to be done.</div><div>Pictured above is a shot from a sunny, spring day in the backyard of our new place. We've really lucked out with this one...it was built in <b>1983</b>, and sits comfortably under a canopy of greenery, nestled deep within a quiet neighborhood similar to the one in <b>Pete & Pete</b>. At night, there are so few streetlights that you'd swear you were living in the countryside, it's so dark. My new studio space is about <b>twice the size</b> of my previous one at <b>114RKD</b>, which is ideal due to the amount of gear I now possess as well as the usual office-related stuff I have to have room for with the label and all that. </div><div>So anyway, as great as the house is, moving has been a <b>real</b> pain. It took us forever to get most of our basic stuff in here, and we're still not done bringing it all over yet, and to top it all off, a couple days after we finished painting, I got <b>sick</b>. The whole office/studio was in boxes and unusable for about 3 or 4 weeks, thus delaying all outstanding orders considerably. Many of you have emailed me about your orders, and to all of you: Thanks for being so patient!</div><div>I can proudly report that <b>all but 10 or so boxes have been shipped out now, and those remaining are out tomorrow</b>. All of you should be receiving your packages, weather and customs willing, very soon. Oh and also, <b>to those of you who ordered the Workingman's Drone box, either empty or filled</b> - be on the lookout for TWO boxes (that is if you ordered other items as well) since the WD boxes don't fit in my normal corrugated mailers, I had to send them as a separate parcel. </div><div>Beyond all that, I wanted to post a little blurb here about my recent appearance on the outstanding dub techno compilation <a href="http://cfmlabel.com/2011/cfm024">Futur[e]cho, over at Cold Fiction</a>. I've had tracks feature on lots of comps by now, and I really must say this is one of the finest - and it's free! My track is a <b>Coppice Halifax</b> humid ambient dance thing called "Royal Acre", which some of you may remember from the recent <b>Vapor Acre cassette at Wil Ru</b> (<a href="http://wil-ru.com/releases/wr/coppice-halifax-vapor-acre/">which is nearly sold out by the way!</a>). It kicks off the record and from there, it just gets better and better. The closing track by <b>Fingers In The Noise</b> is probably my favorite, and I've since checked out all of his other releases and have been quite happy! Go download this!</div><div>Anyway, thanks again to all of you who have been continually awesome, supportive, patient and generous with me - I should be back on track now so I hope you all enjoyed the break! Time for music overload in 3...2....</div><div><br /></div><div><b>Kirk Out</b></div><div><br /></div><div><br /><img src="http://www.blogger.com/img/blank.gif" alt="Add Video" border="0" class="gl_video" /></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-11342058106556177232011-03-15T09:52:00.000-07:002011-03-15T10:00:18.919-07:00Coppice Halifax - Vapor Acre<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://wil-ru.com/wp-content/gallery/vapor-acre/thumbs/thumbs_img_4188_sm.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 125px; height: 125px;" src="http://wil-ru.com/wp-content/gallery/vapor-acre/thumbs/thumbs_img_4188_sm.jpg" border="0" alt="" /></a><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 5px; -webkit-border-vertical-spacing: 5px; font-size: medium; "><pre><span class="Apple-style-span" style="white-space: normal; " ><pre></pre><span><span>A new cassette release on a fresh new label out of Portland, <b>Vapor Acre</b> collects six tracks from a couple different sessions throughout the 2010 year and pairs them with two extended (read: 20 minutes each) remixes by <b>Ndru </b>(aka <b>Bored Man Ganesh</b> at Install) and <b>Radere</b>. Murky and overgrown organic dub techno, not too far from my work on the <b>Outward Residence</b> split with Axs or much of the <b>Analog Botany</b> series. Spacious and deep and really well suited to the cassette format. All orders come with a digital download version of the release, so that means those of you who don't want to play the tapes are still in luck. Limited to 50 copies in an audiobook-style cassette case with full color Holga-photo art and an orange tape with blue labels. A total steal for only $7!</span></span></span></pre><pre><span class="Apple-style-span" style="white-space: normal; " ><span><span></span></span><div><a href="http://wil-ru.com/wr/">http://wil-ru.com/wr/</a></div><div><br /></div><div>You should also take advantage of the combined shipping if you're buying this tape, and pick up the Biathalon tape too. Biathalon released very briefly with EED years ago, and he and I soon have a split 7" coming out as well. His music is lovely.</div></span><span class="Apple-style-span"><br /></span></pre></span>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-15540858639864911602011-03-02T14:44:00.000-08:002011-03-15T09:52:19.783-07:00Recycled Plastics / Phe_<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bandcamp.com/files/14/17/1417476027-1.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 150px; height: 150px;" src="http://bandcamp.com/files/14/17/1417476027-1.jpg" border="0" alt="" /></a><div>A new (sub)label and a new moniker, at the same time! I'd like to introduce everyone reading this to <b>Recycled Plastics</b>, my new imprint for braindance and bedroom ambient music! And how is that so much different than what's here at Milieu Music, you ask? The aim of Recycled Plastics is, in effect, to pick up where we left off with Expanding Electronic Diversity in 2009. Short runs of limited editions, classy minimal design sense and a refined definition of quality electronic music. It will also be a different beast in the presentation of releases by other artists, and not just yours truly. Indeed, I do have a handful of projects slated for release at RP, but you can look forward to even more music by many of my talented friends: Wisp, Mrs Jynx, EOD, Casio Commander, Ndru, Fieldtriqp, David Tagg, Ourson and others!</div><div><br /></div><div><a href="http://www.recycled-plastics.net">http://www.recycled-plastics.net</a></div><div><br /></div><div>("Like" it on Facebook! Blog about it! Spread it around! If any reviewers want promos for some press, get in touch!)</div><div><br /></div><div>Kicking off the new imprint is the self-titled album by Phe_ - forty minutes of braindancey ambient techno atmospheres backed by forty minutes of stellar remixes by <b>Wisp, Mrs Jynx, EOD, David Tagg, Night Sequels, Casio Commander and UK DJ Simon Meredith</b>. Additionally, the Phe_ album is a fundraiser item: Recently one of the Milieu Music HQ cats Basil was diagnosed with a lymphoma the size of a football, and so <a href="http://basil.milieu-music.com/">anyone who donates $12 or more to his chemotherapy fund here</a> will receive the Phe_ CD-R delivered straight to their door as a thank you. Of course, you can just pay for the CD-R or the digital version like any other release and still acquire all the Phe_ you can handle...but think of Basil! <i>If there is something that goes better with braindance than cats, I know it not.</i></div><div><br /></div><div><a href="http://recycledplastics.bandcamp.com/album/phe">Phe_ on Bandcamp</a></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-4771849573790172582011-03-02T14:31:00.000-08:002011-03-02T14:35:04.345-08:00Workingman's Drone Box Set<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/wdbox3.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 325px; height: 325px;" src="http://www.milieu-music.com/shop/images/wdbox3.jpg" border="0" alt="" /></a><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>After all twelve Workingman's Drone EPs were released last year, and the series drew to a close, I set out to find or build the perfect box to hold the whole set. After some searching and work, I've assembled a rustic lidded brown box with stickers that is priced for the working man. Now all 12 EPs from last year's series are available along with the box for only $50. Compare that to the original price of all 12 EPs ($72) and you know you're getting a bargain. The best you've ever had? You might say so when you find the bonus 13th EP inside your box. "Lavender Billows" is an exclusive WD EP only available with this box set. Additionally, those of you who have collected all 12 EPs throughout the year as they were released will be happy to hear you can get the empty box and the 13th EP for only $10. <b>For a limited time, probably a month or so, all 12 EPs will still be available separately. Anyone looking to complete their WD set is advised to do so soon. After this, only the boxsets and digital versions will be available!</b></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-38950110159621881352011-03-02T14:27:00.000-08:002011-03-02T14:30:29.023-08:00Coppice Halifax - Sno Dreem<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bandcamp.com/files/30/72/3072428613-1.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 150px; height: 150px;" src="http://bandcamp.com/files/30/72/3072428613-1.jpg" border="0" alt="" /></a><div>A precursory album of alternate versions and non-album tracks from the sessions for the forthcoming Coppice Halifax album Milkwhite Plastic Galaxy Maker. Think bedroomy ambient techno with nods to things like Polygon Window, Bochum Welt, Global Goon, 808 State and Ovuca. Lots of oldschool hardware and organic production work! Limited to 50, and available digitally as well.</div><div><br /></div><div><a href="http://coppicehalifax.bandcamp.com/">CLICK</a></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-61693917782225222262011-01-15T23:52:00.001-08:002011-01-15T23:56:42.120-08:00Mrs Jynx + Milieu + Fieldtriqp - Bermuda Triangle<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/mmd016-big.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 200px;" src="http://www.milieu-music.com/shop/images/mmd016-big.jpg" border="0" alt="" /></a><span class="Apple-style-span" style="font-family: Arial; "><span><span><span><span><span><span>Three longtime friends with a mutual appreciation for each others' work decided to postpone the inevitable no longer. <b>Mrs Jynx</b> cooked up some techno cupcakes, while <b>Milieu</b> took an imaginary trip down to the tropics and binged on cheese and Marmite. <b>Fieldtriqp</b> showed up fashionably late with a wine hangover and some sleeping pills. Three cheers from us! Blast it like it's 2005!</span></span></span></span></span></span></span><div><span class="Apple-style-span" style="font-family: Arial; "><span><span><span><span><span><span><br /></span></span></span></span></span></span></span></div><div><span class="Apple-style-span" ><b>STREAM</b>: <a href="http://milieu.bandcamp.com/album/bermuda-triangle">HERE</a></span></div><div><span class="Apple-style-span" ><br /></span></div><div><span class="Apple-style-span" ><b>PURCHASE</b>: <a href="http://www.milieu-music.com/shop/mmd016.html">HERE</a></span></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-50080514179167565582011-01-15T23:49:00.001-08:002011-01-15T23:52:19.579-08:00Coppice Halifax - Amber Castles<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/abx6-big.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 200px;" src="http://www.milieu-music.com/shop/images/abx6-big.jpg" border="0" alt="" /></a><span class="Apple-style-span"><span >A precursory EP for the forthcoming double-cassette-album-opus <b>Pawleys Island</b>, featuring an alternate version of an album track and two exclusive tracks not included on the album. Imagine Boards Of Canada having a sedate dub techno party in Hawaii as the sun goes down and cool rain simultaneously beads down onto your baked forehead. Yeah, and even then, you're only <i>halfway</i> there.</span></span><div><span class="Apple-style-span"><span ><br /></span></span></div><div><span class="Apple-style-span"><span ><b>STREAM</b>: <a href="http://coppicehalifax.bandcamp.com/album/amber-castles">HERE</a></span></span></div><div><span class="Apple-style-span"><span ><br /></span></span></div><div><span class="Apple-style-span"><span ><b>PURCHASE</b>: <a href="http://www.milieu-music.com/shop/abx6.html">HERE</a></span></span></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-83781090942587901762011-01-15T23:45:00.000-08:002011-01-15T23:49:01.613-08:00Brian Grainger - Mountain's Green Majesties<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/wd12.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 100px; height: 100px;" src="http://www.milieu-music.com/shop/images/wd12.jpg" border="0" alt="" /></a><div><span class="Apple-style-span" >Speaking of home, here you are. Back on terra firma, as they say. God's green earth. It's a beautiful, clear day with golden rays of sunshine, blue skies and birds singing off in the distance. The plip-plip of a small stream of water is heard nearby. Wind breezes through tree leaves at the base of a gigantic mountain, sounding tonal and almost musical, with melodies that make surprising amounts of sense despite their natural and seemingly incidental origin. Deep gravity-heavy warmth tugs you gently down, and you decide to take a nap under the trees. A plane goes by overhead, leaving a contrail of sound through your mind. With weather this nice, you might not leave this fantasy mountain until well after Winter has subsided.</span></div><div><span class="Apple-style-span" ><br /></span></div><div><span class="Apple-style-span" ><b>STREAM</b>: <a href="http://briangrainger.bandcamp.com/track/mountains-green-majesties">HERE</a></span></div><div><span class="Apple-style-span" ><br /></span></div><div><span class="Apple-style-span" ><b>PURCHASE</b>: <a href="http://www.milieu-music.com/shop/wd12.html">HERE</a></span></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-79622531616234655792011-01-15T23:39:00.000-08:002011-01-15T23:45:00.206-08:00TMA3 - Recursion<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/tma3-3-big.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 200px;" src="http://www.milieu-music.com/shop/images/tma3-3-big.jpg" border="0" alt="" /></a><span class="Apple-style-span"><div></div><span><span><span>Lost, deep inside an infinite timestretched black desert, dotted with billions of fluorescent white pinholes. Drifting on impulse power through the spaces between space. Soundlessly ebbing through an endless fall toward structures so large they are no longer measured in distance, but time. Light years. As time itself crumbles and you are reduced to mere molecules and poured down into the cosmos like a waterfall, things slowly begin to take shape again. Recognizable congruence emerges from the Rorschach puddle of dimensionless matter everything has melted into. Eventual consciousness of temperature returns. Sensitivity to light, sound, although there is no sound. Only the vague anticipation of what your new form blindly awaits. As if by intuition, lines connect, tendons lock, muscles move. You dictate your surroundings into growths of desire, projected by thought. Reflections of you. Like a fog clearing over hundreds of years, you begin to move forward out of the blankness. Speed builds, momentum increases and then the faint, growing hum of an engine. You are in a ship, again. Did you simply never leave? No, that can't be right. You feel different, you feel new. You seem to know this, and out there on the horizon line, through the window of your vessel, you see something else you know: the pale blue dot you were born on. Welcome back home.</span></span></span><div></div></span><div><span class="Apple-style-span"><span><span><span><br /></span></span></span></span></div><div><span class="Apple-style-span"><span><span><span><b>STREAM</b>: <a href="http://briangrainger.bandcamp.com/album/recursion">HERE</a></span></span></span></span></div><div><span class="Apple-style-span"><span><span><span><br /></span></span></span></span></div><div><span class="Apple-style-span"><span><span><span><b>PURCHASE</b>: <a href="http://www.milieu-music.com/shop/tma3-3.html">HERE</a></span></span></span></span></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-59957199231462409292011-01-02T17:09:00.000-08:002011-01-02T17:16:41.490-08:00Merry Xmas & Happy New Year<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bandcamp.com/files/35/07/3507155931-1.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 200px;" src="http://bandcamp.com/files/35/07/3507155931-1.jpg" border="0" alt="" /></a><span class="Apple-style-span">Better late than never! Most of you reading probably already have this one, but it's not been posted here yet so here goes. </span><div><span class="Apple-style-span"><br /></span></div><div><span class="Apple-style-span">A new Milieu EP for the holidays, although you won't find any "traditional" holiday songs here...all 100% original Milieu. So basically you can probably safely enjoy this one year round. It's released as a "name your own price" sort of thing, so you can either buy me a cup of coffee or just download it for free and be on your merry way. Either way, head over to my Bandcamp page to pick it up!</span></div><div><span class="Apple-style-span"><br /></span></div><div><a href="http://milieu.bandcamp.com/album/icepak"><span class="Apple-style-span">MILIEU - ICEPAK</span></a></div><div><span class="Apple-style-span"><br /></span></div><div><span class="Apple-style-span"><a href="http://milieu.bandcamp.com/album/icepak"></a>P.S. You can still grab the last two years' holiday EPs for free too! <a href="http://milieu-music.com/mmc001/">MMC001</a> and <a href="http://milieu-music.com/mmc002/">MMC002</a>!<br /><span><span></span></span><br /></span></div><div><span class="Apple-style-span">P.P.S. - For the collectors among you, I've been asked by a few folks if I plan to make a hardcopy version of Icepak available: I will likely put a handful together once I'm set up in my new office soon, so watch the mailing list for the announcement!</span></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-6292096899102401622011-01-02T13:40:00.001-08:002011-01-02T17:07:13.977-08:00Friends Of Mine<span class="Apple-style-span" >In addition to the pile of stuff I released at the end of last year, a few very awesome labels issued new releases of mine as well. Not to be overlooked, most of these are incredibly limited, special affairs and it was only sheer coincidence that all of them were issued in the same timeframe. Check it!</span><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >MILIEU / THE LONELINESS OF EMPTY ROADS</span></b></div><div><span class="Apple-style-span" >Second Sun / SSRCD014</span></div><div><span class="Apple-style-span" >CD-R / 100 copies</span></div><div><a href="http://www.second-sun.net/shop.htm"><span class="Apple-style-span" >$10 + S&H</span></a></div><div><span class="Apple-style-span" >(A deep bluesy drone guitar album for SSR. If you've followed the SSR output in the past, you know exactly what to expect. Minimal, sad, slow, soft. Simple and effective.)</span></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >MILIEU / OUR BLUE RAINBOW [EXPANDED REISSUE]</span></b></div><div><span class="Apple-style-span" >I, Absentee / IA033</span></div><div><span class="Apple-style-span" >2xCD-R / 100 copies</span></div><div><a href="http://i-absentee.com/IA033.html"><span class="Apple-style-span" >$12 (US) / $14 (Intl.) post paid!</span></a></div><div><span class="Apple-style-span" >(The long awaited reissue of my 2006 album Our Blue Rainbow, remastered from the original session tapes, and repackaged with new artwork designed by David Tagg, who issued this release the first time back when EED was still around. In addition to the remastered album, this edition comes with a second bonus disc, containing an unreleased 18-track album from the 2006-era. Priced like a single CD! Don't miss out!)</span></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >BRIAN GRAINGER / SILVER HORNS HEARD OVER GREEN HILLS</span></b></div><div><span class="Apple-style-span" >Secret Station Records / SS-33</span></div><div><span class="Apple-style-span" >2xCD-R / 100 copies</span></div><div><a href="http://www.secretstationrecords.com/Brian-Grainger.php"><span class="Apple-style-span" >$11 (US) / $16 (Intl.) post paid!</span></a></div><div><span class="Apple-style-span" >(A mammoth double-album of deep drones, backed with colorful field recordings from a trip back to my old stomping grounds, Loris, SC, in March of the 2010 year, with a guest appearance by David Tagg. For fans of albums like <b>Porous Variations</b> or the <b>TMA3 </b>series - don't sleep on this! Super-limited edition packaged in a silver tin box with full-color inserts and stickers, priced like a single CD!)</span></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >BIKE / OCTOBER ORANGE</span></b></div><div><span class="Apple-style-span" ><a href="http://www.boilerroomsound.com/">Boiler Room Sound</a> / BRS#03</span></div><div><span class="Apple-style-span" >Cassette / 25 copies</span></div><div><b><span class="Apple-style-span" >SOLD OUT!</span></b></div><div><span class="Apple-style-span" >(This was the debut release by one of my new monikers, Bike. It sold out super fast but be on the lookout for it to be reissued digitally somewhere down the line!)</span></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >BRIAN GRAINGER / DIAMOND TEARS ON SLATE</span></b></div><div><span class="Apple-style-span" ><a href="http://deadpilotrecordsstore.limitedpressing.com/products/5990">Dead Pilot Records</a> / DEAD035</span></div><div><span class="Apple-style-span" >CD-R / 100 copies</span></div><div><span class="Apple-style-span" ><b>SOLD OUT!</b> (Though it may still be available at distributors. Look around!)</span></div><div><span class="Apple-style-span" >(My first release with the superb Dead Pilot label in the UK, following an appearance on their "Drone Poets" compilation. If you picked up Drone Poets and heard my contribution to that, then you know what to expect with this. Also worth noting that DTOS is the "sister" release of White Kingdoms, so if you enjoyed that, you'd likely enjoy this!)</span></div><div><br /></div><div><br /></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-2304018727133260232011-01-02T13:16:00.000-08:002011-01-02T13:39:07.196-08:00New Releases<span><span><span class="Apple-style-span" >Wow, I have seriously spaced on updating this blog since August! If you're on my mailing list or follow me on Facebook than you are probably still up to date, and you also probably know just how insane September-December was. Either way, for all involved and uninformed - here is a list of everything that I've released at Milieu Music since the last update:</span></span></span><div><span class="Apple-style-span" ><br /></span></div><div><span class="Apple-style-span" ><span><span><b>MMD014 / BRIAN GRAINGER / ZYUAXOHTVIMIVTHOXAUYS</b></span></span><span class="Apple-style-span" style="font-size: 12px; color: rgb(54, 54, 54); line-height: 14px; "><h2 class="trackTitle" style="font-size: 30px; font-weight: bold; line-height: 0.97em; margin-top: 0px; margin-right: 0px; margin-bottom: 0.2em; margin-left: 0px; "></h2></span></span></div><div><span><span><span class="Apple-style-span" >(A long, conceptual drone piece, complete with extensive liner notes and a graph)</span></span></span></div><div><a href="http://www.milieu-music.com/shop/mmd014.html"><span class="Apple-style-span" >BUY CD-R</span></a></div><div><a href="http://briangrainger.bandcamp.com/album/zyuaxohtvimivthoxauys"><span class="Apple-style-span" >BUY DIGITAL</span></a></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >MMTT1 / TURQUOISE TURTLES & MILIEU</span></b></div><div><span class="Apple-style-span" >(Dense ambient split between myself and Cole Montgomery)</span></div><div><span class="Apple-style-span" >SOLD OUT!</span></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >MML074 / BIKE / LEAFMAN EFFECT</span></b></div><div><span class="Apple-style-span" >(Second release from the new Bike moniker! Loud breakbeats and drones!)</span></div><div><a href="http://www.milieu-music.com/shop/mml074.html"><span class="Apple-style-span" >BUY 3" CD-R</span></a></div><div><a href="http://bike.bandcamp.com/"><span class="Apple-style-span" >BUY DIGITAL</span></a></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >TMA3.1 / TMA3 / AUTOGENESIS</span></b></div><div><span class="Apple-style-span" >(First album from a new three-album concept project. LONG drones!)</span></div><div><a href="http://www.milieu-music.com/shop/tma3-1.html"><span class="Apple-style-span" >BUY CD-R</span></a></div><div><a href="http://briangrainger.bandcamp.com/album/autogenesis"><span class="Apple-style-span" >BUY DIGITAL</span></a></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >TMA3.2 / TMA3 / SINGULARITY</span></b></div><div><span class="Apple-style-span" >(The second of three TMA3 albums)</span></div><div><a href="http://www.milieu-music.com/shop/tma3-2.html"><span class="Apple-style-span" >BUY CD-R</span></a></div><div><a href="http://briangrainger.bandcamp.com/album/singularity"><span class="Apple-style-span" >BUY DIGITAL</span></a></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >TMA3.3 / TMA3 / RECURSION</span></b></div><div><span class="Apple-style-span" >(The final TMA3 album)</span></div><div><span class="Apple-style-span" >BUY CD-R (SOON - Look for this in a few weeks)</span></div><div><a href="http://briangrainger.bandcamp.com/album/recursion"><span class="Apple-style-span" >BUY DIGITAL</span></a></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >BRIAN GRAINGER / WORKINGMAN'S DRONE SERIES</span></b></div><div><span class="Apple-style-span" >(This monthly series is now complete! Here are the links for #9-12. Also, boxset forthcoming!)</span></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >WD9 / IN RUST</span></b></div><div><a href="http://www.milieu-music.com/shop/wd9.html"><span class="Apple-style-span" >BUY 3" CD-R</span></a></div><div><a href="http://briangrainger.bandcamp.com/album/workingmans-drone-series"><span class="Apple-style-span" >BUY DIGITAL</span></a></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >WD10 / SMOKE FARM</span></b></div><div><a href="http://www.milieu-music.com/shop/wd10.html"><span class="Apple-style-span" >BUY 3" CD-R</span></a></div><div><a href="http://briangrainger.bandcamp.com/album/workingmans-drone-series"><span class="Apple-style-span" >BUY DIGITAL</span></a></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >WD11 / DUAL VESSELS [APPROACHING CLIFFS]</span></b></div><div><a href="http://www.milieu-music.com/shop/wd11.html"><span class="Apple-style-span" >BUY 3" CD-R</span></a></div><div><a href="http://briangrainger.bandcamp.com/album/workingmans-drone-series"><span class="Apple-style-span" >BUY DIGITAL</span></a></div><div><span class="Apple-style-span" ><br /></span></div><div><b><span class="Apple-style-span" >WD12 / MOUNTAIN'S GREEN MAJESTIES</span></b></div><div><span class="Apple-style-span" >BUY 3" CD-R (SOON - Look for this in a few weeks)</span></div><div><a href="http://briangrainger.bandcamp.com/album/workingmans-drone-series"><span class="Apple-style-span" >BUY DIGITAL</span></a></div><div><span class="Apple-style-span" ><br /></span></div><div><span class="Apple-style-span" >The reason that <b>TMA3.3</b> and <b>WD12</b> are digital only items right now is because I am currently in the throes of moving from one house to another, and while my office/studio remains in relative limbo, I'm simply postponing the hardcopy release of these two titles until the new office has been set up. Thanks to everyone for their patience!</span></div><div><span class="Apple-style-span" ><br /></span></div><div><span class="Apple-style-span" >Also, look forward to a Workingman's Drone box set in the very near future! The boxes will be available empty (if you've collected all 12 EPs individually) or filled, and both versions come with a bonus 13th EP! Stay tuned!</span></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-7814393582265974422010-08-11T08:36:00.000-07:002010-08-11T08:42:14.417-07:001983 [Expanded Reissue]<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/mmd012-big2.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 325px; height: 202px;" src="http://www.milieu-music.com/shop/images/mmd012-big2.jpg" alt="" border="0" /></a><span style="font-family:Helvetica,Arial,sans-serif;">In 2006, I started the first official Milieu side-project, Coppice Halifax, with a conceptual ambient techno album called <b>1983</b>. Now, four years later, I've given this album a definitive release after being out of print for so long. Themes of wet lakeside humidity and deep forest green drones, caked in tape hiss and over-compression still sound remarkably fresh today, despite the many changes Coppice Halifax as a project has gone through. Packed to the brim on a 120(!) minute cassette tape, this compendium includes all four original tracks, two bonus tracks from the EED promo CD-R, five previously unreleased tracks from the sessions and a live version of "Lake Busbee" from an ambient house party I did in 2006. All tracks were retrieved and remastered from the original cassettes, which is why I chose to keep the cassette format for this music. Available digitally as well as on <span style="font-weight: bold;">30 hand-numbered cassettes</span>. Don't miss out!<br /><br /><span style="font-weight: bold;">STREAM THE FULL RELEASE HERE</span>: <a href="http://coppicehalifax.bandcamp.com/album/1983-expanded-reissue">CLICK</a></span>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-19813928597108319772010-08-11T08:31:00.000-07:002010-08-11T08:35:25.645-07:00The Deep Tapes / Depth Analysis<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/mml072-big.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 120px; height: 120px;" src="http://www.milieu-music.com/shop/images/mml072-big.jpg" alt="" border="0" /></a><span style="font-family:Helvetica, Arial, sans-serif;">Appropriately coinciding with the dense, crusty foliage of 1983 is a new split between Coppice Halifax and<b> The House In The Woods</b>. The House In The Woods is my friend Martin from the UK, and he makes some of the most incredible ambient techno ever. Imagine a house party inside a submarine, going through icy black waters, miles below the sea's surface, and you're halfway there. Traces of the usual influences like Gas, Yagya or early Aphex Twin are present, but Martin and I are really having our own little party. Each of us donated 40 minutes to the project so what you end up with is a very lengthy trip that takes its time getting through the night. Available for a "name your own price" digital release, and also on a super-limited edition of 30 CD-R copies, for those of you who need to hold it in your hands like we do.<br /><br /><span style="font-weight: bold;">FOR PREVIEWS, PHOTOS AND ORDER INFO</span>: <a href="http://www.milieu-music.com/shop/mml072.html">CLICK</a><br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/mml073.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 100px; height: 100px;" src="http://www.milieu-music.com/shop/images/mml073.jpg" alt="" border="0" /></a><span style="font-family:Helvetica, Arial, sans-serif;">A sister-EP to MML072, and a single for the Coppice Halifax track "Water Column". <b>Depth Analysis</b> contains two alternate versions of tracks from MML072, one being more melodic with a cleaner mix and the other being incredibly dense, stretched out ambient techno droning. Recommended for those of you who wanted MML072 to keep going and going like I did. Limited to 50 copies.<br /><br /><span style="font-weight: bold;">FOR PREVIEWS, PHOTOS AND ORDER INFO</span>: <a href="http://www.milieu-music.com/shop/mml073.html">CLICK</a><br /></span>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-81393628777725734602010-08-11T08:23:00.000-07:002010-08-11T08:35:40.461-07:00Workingman's Drone #7 and #8<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/wd7.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 100px; height: 100px;" src="http://www.milieu-music.com/shop/images/wd7.jpg" alt="" border="0" /></a><span style="font-family:Helvetica,Arial,sans-serif;">A reprisal of a track from the 2006 EP <b>Clover Farm</b> on Attacknine comes in the form of July's contribution to the Workingman's Drone series. One of the more melodic and accessible pieces in the WD series, <b>Calico II</b> bears some resemblance to<b> Leaves Painted Purple</b> or even David Tagg's EP <b>Skin Diagram</b>. Warbly loops fluttering in and out of audibility with comfortable room noise pops and clicks and whirrs in the background. Limited to 50.<br /><br /><span style="font-weight: bold;">FOR PREVIEWS, PHOTOS AND ORDER INFO</span>: <a href="http://www.milieu-music.com/shop/wd7.html">CLICK</a><br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/wd8.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 100px; height: 100px;" src="http://www.milieu-music.com/shop/images/wd8.jpg" alt="" border="0" /></a><span style="font-family:Helvetica,Arial,sans-serif;">August's piece for Workingman's Drone is a thick columnesque drone bearing the title <b>Headwound Garland</b>. Recorded while I was recovering from dental surgery a few weeks ago, this peice carries with it a heavy fog and a mean low end. Microtonal shifts subtly waver the drone into several pleasant cyclical phrases, and the humming monochromatic gloss on the track sounds even better at high decibel levels. Limited to 50.<br /><br /></span><span style="font-family:Helvetica,Arial,sans-serif;"><span style="font-weight: bold;">FOR PREVIEWS, PHOTOS AND ORDER INFO</span>: <a href="http://www.milieu-music.com/shop/wd8.html">CLICK</a></span><br /><br /><span style="font-family:arial;"><span style="font-weight: bold;">THE ENTIRE WORKINGMAN'S DRONE SERIES (SO FAR) IS ALSO AVAILABLE DIGITALLY HERE</span>: <a href="http://briangrainger.bandcamp.com/album/workingmans-drone-series">CLICK</a></span>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-3968353292806462682010-07-09T07:10:00.000-07:002010-07-09T07:19:33.062-07:00FLAC Store UpdatedSeveral new things have recently been added to the digital storefront at Milieu Music. In addition to being available in FLAC, they are <span style="font-weight: bold;">available in any format you choose</span> upon downloading. Single tracks, or entire albums, the whole thing is cheap. Here is a concise list of what's been added:<br /><br /><a href="http://milieu.bandcamp.com">MILIEU FLAC STORE</a><br />Aurora Borealis<br />Bent Appletrees 2<br />Bent Appletrees 3<br />Bent Appletrees 4<br />Bent Appletrees 5<br />Bent Appletrees 6<br />Bell'n Dither<br />Eufloria<br />Colortone<br />Swaying Palms<br />Echo Spectrum<br />Brittle Paper Cathedrals<br /><br /><a href="http://coppicehalifax.bandcamp.com/">COPPICE HALIFAX FLAC STORE</a><br />Ocean Lion [MMD002]<br />Ocean Lion [MMD007]<br />Bedroom Carpet<br />Singles<br />The Analog Botany Series: #1-12 ($3 each!)<br /><br /><a href="http://briangrainger.bandcamp.com/">BRIAN GRAINGER FLAC STORE</a><br />Nine Billion Names<br />The Workingman's Drone Series: #1-6<br /><br />More titles are being added on a daily basis, so if there's a release you'd like to see in the store, email me and ask!Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-43540215599877737382010-06-19T13:39:00.001-07:002010-06-19T13:42:30.046-07:00Milieu - A Blanket Of Infinite Repetitions<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/mmd013-big.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://www.milieu-music.com/shop/images/mmd013-big.jpg" alt="" border="0" /></a>Pulling one from the vaults this month, simply because the weather feels right. Milieu Music HQ has been assaulted by an overabundance of storms and humidity this summer, and this album crept up on its wobbly legs and comforted me in the last couple of weeks. Recorded at the same time as the INSTALL LP <span style="font-weight: bold;">Phosphene Weather</span>, Blanket sounds much more corporeal and abstracted. Flutters of watery half-melodies echo around the stereo field, while a warm aching drone slowly unfolds itself, like yellow sun on your face. Chirruping beneath everything is a delicate palette of disembodied room sounds, crunchy textures and moody backdrops. Limited to 50 copies and packaged in translucent "sunspot" paper. Bliss out.<br /><br /><span style="font-weight: bold;">FOR MP3 CLIPS PHOTOS AND ORDER INFO</span>: <a href="http://www.milieu-music.com/shop/mmd013.html">CLICK</a>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-1635184034352792552010-06-19T13:36:00.001-07:002010-06-19T13:39:13.183-07:00Coppice Halifax - Cmx II<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/mml071-big.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 130px; height: 130px;" src="http://www.milieu-music.com/shop/images/mml071-big.jpg" alt="" border="0" /></a>Following 2008's collection of Coppice Halifax remixes comes the second volume of analog-botanical versions. An assemblage of a few out of print tracks along with some brand new unreleased remixes for <span style="font-weight: bold;">The Qualia</span> and <span style="font-weight: bold;">RxGibbs</span> (the latter is a 20+ minute <span style="font-weight: bold;">Ocean Lion</span> styled jam called <span style="font-style: italic;">Powdered Construct</span>). Altogether, like its predecessor, <span style="font-weight: bold;">Cmx II </span>is an unlikely album with a definite flow and groove, but also a look back at the Coppice Halifax ouevre. Limited to 50 copies in clear plastic sleeves with inserts.<br /><br /><span style="font-weight: bold;">FOR MP3 CLIPS PHOTOS AND ORDER INFO</span>: <a href="http://www.milieu-music.com/shop/mml071.html">CLICK</a>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-92096051325548658662010-06-19T13:33:00.001-07:002010-06-19T13:36:10.604-07:00Vhom - Firmamvnt<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/mml070-big.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 130px; height: 130px;" src="http://www.milieu-music.com/shop/images/mml070-big.jpg" alt="" border="0" /></a>The first new Vhom full-length since 2008's epic <span style="font-weight: bold;">Borley Rectory</span> double-album is <span style="font-weight: bold;">Firmamvnt</span>. More guitar-heavy and accessible, despite its tendencies toward the blacker end of the sound spectrum, Firmamvnt is a bold set of guitar improvisations, laid to tape and hung on the castle wall like a looming Carpathian tapestry. Heavy drones mingle with alien languages and the marching of soldiers from a Barlowe-esque version of Hell. This album could ALMOST pass for a <span style="font-weight: bold;">VCV</span> record at times, so those of you who enjoyed that side of my guitar work will certainly love this. Limited to 50 copies in black paper sleeves with dark-on-dark cardstock inserts.<br /><br /><span style="font-weight: bold;">FOR MP3 CLIPS PHOTOS AND ORDER INFO</span>: <a href="http://www.milieu-music.com/shop/mml070.html">CLICK</a>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-60522127087327761452010-06-19T13:30:00.000-07:002010-06-19T13:33:14.163-07:00Workingman's Drone #6<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.milieu-music.com/shop/images/wd6-big.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 130px; height: 130px;" src="http://www.milieu-music.com/shop/images/wd6-big.jpg" alt="" border="0" /></a>Sixth in this year's <span style="font-weight: bold;">Workingman's Drone</span> series is a dense piece titled <span style="font-weight: bold;">Black Oak Fires</span>. Swells of smoky grey and red archs make their way through the haze, and at about 15 minutes in you start to realize your atoms are dispersing and you're becoming the cloud...but it feels all right. Majestic and linear drone just the way you like to feel it. Limited to 50 copies!<br /><br /><span style="font-weight: bold;">FOR MP3 CLIPS PHOTOS AND ORDER INFO</span>: <a href="http://www.milieu-music.com/shop/wd6.html">CLICK</a>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0tag:blogger.com,1999:blog-5160370122730488489.post-24003919827059294192010-05-29T12:26:00.000-07:002010-05-29T12:29:21.644-07:00In Heaven, Everything Is Fine<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img.listal.com/image/607870/400full.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 300px; height: 400px;" src="http://img.listal.com/image/607870/400full.jpg" alt="" border="0" /></a><br /><div style="text-align: center;"><a href="http://artsbeat.blogs.nytimes.com/2010/05/29/dennis-hopper-actor-and-iconoclast-has-died/">1936-2010</a><br /></div>Milieuhttp://www.blogger.com/profile/00465754278467427748noreply@blogger.com0